some cultural work designated as Heritage Indonesia

After going through the verification and assessment by a team of experts, the Ministry of Education and Culture of the Republic of Indonesia, through the Directorate Internalization of Values ​​and Cultural Diplomacy set 77 cultural work that has been registered as a national intangible cultural heritage of Indonesia. Six of them have been designated as Heritage Indonesia recognized by UNESCO. The following cultural works that have been established:

1. Wayang Indonesia

Puppet has been recognized by UNESCO as a representative list of the Intangible Cultural Heritage of Indonesia in 2008. The puppet is one of the folk performing arts are still a lot of fans to this day. Puppet show played by a puppeteer by moving the puppet characters are selected according to a story that was delivered. The selected stories rooted in the book of Mahabharata and Ramayana bernafaskan Hindu culture and philosophy of India, but has been absorbed into the culture of Indonesia. In each pegelaran, helped mastermind the swarawati or sindhen and the gamelan or a musician, so the puppet show involving many people. In Indonesia, Wayang has spread to almost all parts of Indonesia. Types are also varied which include: Wayang Kulit Purwa, Marionette Puppet Sunda, Puppet, Wayang Betawi Wayang Bali, Puppet Banjar, Puppet torch, Wayang Palembang, Puppet Krucil, Puppet Thengul, Puppet Timplong, Puppet hare, Puppet Grass, Puppet smacking, Jemblung puppet, puppet Sasak (Lombok), and Wayang Beber.

2. Keris Indonesia

Keris is a culture of exotic objects and original. This is a 'work of art' as well as 'cultural objects' original archipelago. Kris culture stretching from the western tip of Sumatra island, peninsula Siam and Sulu in the North, the Great Barrier and the Maluku islands in the East Nusa Tenggara Islands in the South. Keris be binding identity that encourages a sense of nationhood that thrives in the archipelago. In 2005, Keris Indonesia has been recognized as an Intangible Cultural Heritage of Indonesia.

Keris is a dagger stabbing weapon class (the sharp pointed and sharp on both sides) with many cultural functions are known in the western and central archipelago. The shape is distinctive and easily distinguishable from other sharp weapons because it is not symmetrical at the base is widened, the blade often winding, and many of them have the prestige (the fibers of bright metal layer) on the blade bar. In the past kris serves as a weapon in a duel / warfare, as well as complementary offerings objects. Currently, the use of a dagger more as a complement ornaments in traditional dress. As cultural products, keris contain certain noble values ​​the maker culture symbolized in various parts of the keris. In addition, the keris is also rife become collectibles are assessed in terms of aesthetics.

3. Batik Indonesia

Basically, batik is an art that uses canting as a tool for painting. Canting itself is a small bowl-shaped device made ​​of copper and has a carat or monong, with a stalk of bamboo or wood that can be filled evening (wax) as a material for painting. This canting can make a collection of lines, dots or cecek that ultimately shape patterns. The patterns is then a decoration in Batik art.

Batik has been passed down from generation to generation until today. With this traditional pattern, since the first public imagination pours through pictures on batik. Communities also have to know the traditional art of dyeing with natural materials before knowing staining with chemicals. Batik is spread almost throughout Indonesia has a decorative shape that varies between one and the other. In 2009, UNESCO recognized batik as an intangible cultural heritage of Indonesia.

4. Angklung

Angklung is an Indonesian traditional musical instrument made of bamboo and sounded by shaken. This instrument is derived from Sunda Land. The word is derived from the Sundanese angklung "angkleung-angkleungan" namely Angklung player movement and sound "Klung" generates. Etymologically, Angklung is derived from the word "number" which means a tone and "lung" which means broken. So Angklung refer tone or tone burst is not complete. Each angklung will produce different tones, so that every appearance requires more than one angklung. At least eight tones generated by angklung. Angklung has been recognized by UNESCO as Intangible Cultural Heritage of Indonesia in 2010.

5. Tari Saman Gayo of Nanggroe Aceh Darussalam

Saman is one of the traditional arts are growing and developing in the community in the district of Gayo Gayo Lues, East Aceh, East Aceh (District of Serbejadi), Aceh Tamiang (Tamiang Hulu). Saman is a game of tradition usually done by men who are generally young age to fill his spare time. Either at the time in the fields, mersah, lessons at home even after they took practice Saman. Saman game into an art show that is often staged as a media gathering, friendship, delivery of moral messages, rhymes youth, depictions of nature and the environment, and so on. Saman Dance is recognized by UNESCO as an intangible cultural heritage that need urgent protection from Indonesia in 2011.

6. Nokens of Papua

Noken Papua is the result of creativity, taste and intention humans cultured and well-mannered. Although Nokens shaped just like a bag that serves as a place to store a wide variety of objects and equipment, but the people of Papua themselves do not mention noken as bags. For the people of Papua, Noken have very significant differences with bags produced by the plant, both in material, type, model or form Noken. In 2011 Noken Papua has been named by UNESCO as Intangible Cultural Heritage of Indonesia who need urgent protection.

7. Sumba Ikat Weaving

Ikat is woven using a technique that manufacture motive belt. Ikat technique is done with certain parts of the yarn, with the intention that the parts were bound was not stained when the thread is inserted into the liquid dye. The parts are fastened calculated in such a way, so that after going to set up a woven motifs as desired. The Government of Indonesia is in the process of applying to the Sumba Ikat Weaving UNESCO designated as Cultural Heritage Objects of Indonesia.

8. Rencong of Nanggroe Aceh Darussalam

Rencong is a symbol of courage and valor ureueng Aceh. For anyone who holds a weapon would feel more brave in the face of the enemy. At the present time, this weapon is already not so relevant for use as an offensive weapon. However the way, these weapons are still relevant as a symbol of courage, toughness and virility of the people of Aceh. For that, at some ceremonies (such as marriage ceremonies) rencong used. Use of this thing is to lead to a symbol of the courage of the man to lead the family after marriage.

9. Dance Tor tor of North Sumatra

Tari Tor Tor is a dance which originated from North Sumatra. Tor-Tor was originally not a dance, but as a complement gondang (jaundice-uningan) are based on the traditional philosophy itself. In traditional ceremonies in Mandailing where the jaundice-uningan sounded (Margondang), always equipped with the show manortor. At first manortor just held on traditional events Margondang, but in the subsequent development manortor has also been carried out at entertainment events to how to modify tor-tor such a way as to make it more attractive for spectators in its development leads into a dance.

10. Gordang Sembilang of North Sumatra

As the name implies Gordang Part consists of nine drums with a relatively large size and length. As the drum ninth successive has the size of a large to the smallest size. Part Gordang known at the time before Islam which has the function to call the spirits of ancestors ceremony if the necessary help. The ceremony is called paturuan Sibaso which means call the spirits to possess / menyurupi medium Sibaso). The purpose of this call is to ask for help the spirits of ancestors to overcome the difficulties that are befalling the community. For example, a disease that is endemic because of a transmission of disease affecting a region. In addition Gordang Part is also used for rainmaking ceremonies (mangido udan) so that it rains so as to cope with the drought that disrupt agricultural activities. Also aims to stop the rain that has lasted continuously already caused damage.

11. Traditional House Karo of North Sumatra

Karo traditional house known as the home of the pumpkin jabu  means "house inhabited by eight families". Inside the house are arranged according to customary provisions. The family has eight different positions in the occupied custom house. Karo customs house was established under the direction kenjehe (downstream) and kenjulu  (upstream) as the flow of the river in a village. 5. Randang from West Sumatra Rendang Minangkabau language called randang is one of the traditional food Minangkabau are very well known to seantaro archipelago. Randang has several colors, namely red-brown, brown to blackish brown. Understanding randang taken from the word Marandang, which is a processing side dish made ​​from coconut milk cooked until the water content is reduced, even to dry so that when called randang it means the dishes are dry processed without containing water.

12. System Matrilineal of West Sumatra

Matrilineal system is a system that is upheld by the Minangkabau community until now. In the famous lineage Minangkabau matrilineal. Usually the women who have houses and rice fields. Households-households are grouped into a clan that is based on the woman's lineage. Each child woman inherited from his mother with an equal share of the amount of rice belonging to his mother. 7. House Tower from West Sumatra.

13. House Tower from West Sumatra

Tower House is a traditional Minangkabau house built on high poles and bersendikan stone. In language, the Tower House means the Big House. This house is great, with the sheer number of rooms to nine, eleven and even more, as the economic capacity of the building and the number of women who inhabit it. The meaning of "sieve" or "large" Tower House is referring to the function.

14. Literacy Ga Ka Nga from Bengkulu

In a historical perspective, we generally know the script area in Indonesia is basically originated from India, including letters Ka Nga Ga. Deployment script Ga Ka Nga numerous in the area of ​​Bengkulu, Jambi, South Sumatra and Lampung.

15. Dulmuluk from South Sumatra

Dulmuluk beginning of the book 's success Malay kingdom which was completed on 2 July 1845, his poetry Abdul flown. Dulmuluk traditional theater is a theater that was born in South Sumatra city of Palembang. The origin of this theater is a form of poetry readings by Wan Bakar, who read the poem Abdul flown around his home in Point Ladder 16 Ulu in 1854. To make it more interesting poetry readings and then accompanied by a demonstration by some stringed musical accompaniment plus flight.

16. Songket Palembang of South Sumatra

Palembang songket existed from the Sultanate of Palembang. Palembang songket has existed since hundreds of years ago and was believed since the era of Sriwijaya. At that time the craft songket is a sideline business for the indigenous people of Palembang. Songket has no concurrent emergence of Palembang Darussalam Sultanate (1659-1823). Based on the historical record are entitled and deserve to wear songket at that time was the king or sultan palace and relatives. Songket worn by the sultans in Palembang is a complementary oversized clothes.

17. Mak Yong of Riau Islands

In the area of ​​Riau Islands, the oral tradition of Mak Yong has been performed since a few centuries ago and spread to Bangka, Johor, Malacca and Penang. In the Riau Islands, the oral tradition is growing rapidly in the reign of Riau Sultanate (1722-1911). Makyong performing arts theater play with dance, songs, and jokes that exists in a storyline. 20 players, which masked men while women wear glittering costumes.

18. Krinok from Jambi

Krinok is one of the vocal art traditions of the Malay community in the district of Muara Bungo Rantau Pandan. Artists krinok said krinok is the oldest art that has been around since the pre-history and can still be found today. Ja'far Rassuh suspect forerunner krinok as a sound art existed long before the advent of Buddhism to the region Jambi. At that time the vocal art is used for certain incantations or prayers, which later evolved into art krinok.

19. Dambus of Bangka Belitung

Dambus is music that has hundreds of years old and still persist in the Pacific Islands. Psaltery evolved since the 19th century with the arrival of Arab immigrants from Hadramaut, South Yemen to the archipelago. By using poems kasidah, harp invites people closer to God and follow the example of His Messenger. Therefore, harp used immigrants as a means of propaganda in the archipelago. This step is then forwarded by the clerics to preach Islam.

20. Weaving Siak of Riau

Weaving development begins when Siak Siak ruled Sultan Syarif Ali Said, around 1800, when the craft of weaving is widely known. In the past there was a man named Mr. E. Wan Siti bint Karim coming from Trengganu, which weave the threads of silk, cotton and gold. Weaving was very loved by the palace. He developed the motif of traditional and new creation that is known and loved again after a bit forgotten. To date, the weavers are considered more severe Siak develop original pattern other than English, namely bamboo shoots, cloud, clove, mangosteen reins, accompanied ants, elbows flying foxes, and duck back that afternoon.

21. Gazal of Riau Islands

Ghazal is a kind of orchestral music Malay tradition that developed in the Riau Islands. Ghazalini origin can be traced from the rhythm of the desert or the Middle East spread to Johor Malaysia and then continue to spread and grow in the Riau Islands, namely; Stinger, Tanjung Balai Karimun, Tanjung Batu, and Batam.

Art ghazal music is becoming known and developed since the time of the Royal Malay and in the next three to perform this ghazal music to fill the events Permbesar kingdom. The first founder of music ghazal know this is Mr. Haji Muse, better known by the name of Mr. Lomak originating from Johor Baru.

22. Gurindam Twelve of Riau Islands

Twelve set of couplets written by Raja Ali Haji of Riau. Named Gurindam Twelve therefore contains 12 chapters, among other things about worship, king obligation, the obligation of children to parents, the duty of parents to children, manners and social life.

23. Tabot of Tabuik of Bengkulu and West Sumatra

Derived from the word 'ark', from the Arabic word that means parading. Ceremony Tabot / Tabuik is a tradition in the community on the west coast of Bengkulu and West Sumatra, who held hereditary. The ceremony is held on the day of Ashura falls on the 10th of Muharram in the Islamic calendar to commemorate the death of Prophet Muhammad's grandson, Hussein.

24. Muang Jong or Discard Jong from Bangka Belitung

Buang Jong is a traditional ceremony that hereditary performed by Sawang tribal communities in Sydney. Sawang tribe is a tribe of sailors who once, for hundreds of years, settled in the ocean. Muang Jong own means releasing a small boat into the sea. The small boat-shaped framework within which contains the offerings. "Shelf" that houses also shaped frame that symbolizes a place to stay. The cultural tradition of hereditary conducted annually by Sawang Tribe community in East Belitung province ahead of the season, around August or September. Where the wind and the sea waves in a very violent and horrible. Ritual Muang Jong to invoke protection aims to avoid the disaster that will befall, especially at sea.

25. Tapis from Lampung

Beginning of filter fabric is made out of respect to the ancestors, such as the motif vessel, described as a vehicle or a vehicle on the way to the spirit realm after death (afterlife). As well as associated with a form of worship to figure ancestor or ancestors. Furthermore, the use of fabric filters utilized in the development of the traditional events throughout the life cycle associated with religious rituals. The ritual is a means to connect people with nature spirits. The use of fabric filter is closely associated with the use of practical and symbolic functions are then given a ritual significance. The charge symbol on the filter fabric is a connector of various meanings implementation of ceremonies throughout the human life cycle.

26. Ondel Ondel from Jakarta

Ondel-ondel is show people who have for centuries located in Jakarta and surrounding areas, who today became the Betawi region. Ondel-ondel considered a form of theater without speech, because it was originally used as the personification of the ancestor or ancestors, protective safety village and everything in it. Thus it can be considered as carriers of the play or story, as well as the "SHARP" ceremony "cut bekakak" limestone mountains in the south of Yogyakarta city, which was held in Sapar every year.

27. Mask and Lenong from Jakarta

Lenong is the art of theater folk or folk performances of Betawi. Lenong commonly equipped with a decor that is adjusted to half the story. The show began with music xylophone kromong with songs typical betawi like barley, Persian, Stambul, Cente Sweet, Beams, and so forth. The story plays usually ranges from about empire. Lenong art also called Lenong Denes and Lenong Thugs. Lenong Denes usually presentation of the royal story (nobility) who fancy clothes, fancy furniture. While lenong thugs range of everyday life which tells the hero, landlords, drama households, and sebagaianya.

28. Pantun Betawi of Jakarta

Carita Pantun is a legend containing historical elements that mostly contain various series of events or adventures of the nobility in the struggle for wealth and women who in the end, when they face tremendous difficulties, always resolved with the help of supernatural power.

Implementation of the show is usually all night long from 21:00 till 05:00 Puku dawn except for circumcision, which is usually held in the morning. Around midnight there were scenes of humor. In the event there are two stories ruatan served is between 21:00 until 03:00 in the form of entertainment story, and the rest of the story Batara Kala. As for te

mpat performances usually d in the house.

29. Ronggeng Mountain West Java

Ronggeng mountain is one of the traditional arts located in the district of Ciamis precisely derived from the District Banjarsari. From the name, ronggeng mountain shows art with its main role ronggeng or female dancers. The art emerged and developed in the mountainous region. As a folk dance, ronggeng mountain has an attraction for the audience. Although it is now developing as an entertainment activity, its existence is still in a static position in the development of other arts. In fact, ronggeng mountain is one of the cultural identity of the community Ciamis.

30. Sisingaan from West Java

The birth of art Sisingaan closely related to social and political situation in the colonial period, when the area Subang colonized and occupied by the Dutch colonial government, and further when the area Subang into plantation areas are controlled in turn by the ruling landlords Dutch and the British nation. Sisingaan art is perceived by many as a form of art that express resistance and rebellion, as well as a sense of dissatisfaction with the authorities (the landlord and the Dutch Government).

31. Cleaver of West Java and Banten

In general, Cleaver had understanding as heirlooms that have a certain strength that comes from the gods (= Hyang), and as a weapon, a long time ago until today Cleaver occupies a very special position in the community of West Java (Sunda). Cleaver in the past can not be separated from the life of the Sundanese people because of its function as agricultural equipment. This statement is contained in ancient texts Sanghyang Siksa Kanda Karesian Ng (1518 M) and the oral tradition that developed in several areas including in the area of ​​scaffolding, Ciamis. Evidence that reinforces the statement that the cleaver as farming equipment still can be seen today on the Baduy in Banten and Pancer Pangawinan in Sukabumi.

32. Debus from Banten

Debus art in Banten initially serves to spread the teachings of Islam. However, the Dutch colonial period and during the reign of Sultan Agung Tirtayasa, this art is used to evoke the spirit of fighters and people of Banten against the Netherlands. Today, along with the times, this art only serves as a means of entertainment only. Art called Debus has something to do with tarikat Rifaiah brought by Nurrudin Ar-Raniry to Aceh in the 16th century. The followers of this tarikat while being in a state of epiphany (infinite excitement because "face to face" with God), often slamming various sharp objects into their bodies. The philosophy they use is "lau haula walla Quwata ilabillahil 'aliyyil adhim" or no effort, but because God alone. So, if God allows, then a knife, machete, machete or even bullets would not hurt them.

33. Calung from West Java

In the early days of the spread of Islam, art calung often combined with lengger (le = thole = designation for boys, and ngger = angger = designation for girls). Calung art used as a tool to call or collect the children to be given new knowledge that is about the teachings of Islam. Calung art evolved in Banyumas. Banyumas is a cultural region kulonan whose characteristics tend to what is (Blaka suta), innocent and accent ngapak. This characteristic is reflected in the song lyrics are combined with the rhythm of music calung and senggakan-senggakan that seem vulgar.

34. Pottery Kasongan of Yogyakarta

Kasongan an original pottery craft of Yogyakarta. Results pottery Kasongan in general are tools kitchen purposes, jars, pots / vases, sculptures Loroblonyo fountain, wuwung, and other ceramic products. Especially for jars, can be found in many forms and variants urn in Kasongan. Jar is one type of ceramic that are often hunted by tourists. In addition to its size range from as high as two-inch arms to shoulder the size of an adult, the urn in Kasongan also has many variants of finishing. Judging from the development, finishing jars that were encountered in Kasongan is a natural finishing, which only uses paint as a medium 'finishing touch' on the urn.

35. reog from Ponorogo, East Java

The birth of art history at the time of King Brawijaya 5th reigns in the kingdom of Majapahit. To satirize the king deeply influenced by this queen, made barongan ridden by Ki Ageng peacock Tutu Suryo. Further folklore originating from Java Chronicle stated at the time of power Betoro Katong, penambing named Ki Ageng Mirah assess barongan art should be preserved.

Ki Ageng Mirah and make a legendary story about the creation of the Kingdom of the Wind Bantar Kelono Suwandono king. Reyog art was first named Singa Barong or the Great Lion started there in about the year 900 Saka and is associated with the life of the followers of Hinduism Shiva. The entry of Raden Patah to develop the Islamic religion around Mount Wilis including Ponorogo, effect on these Reyog art. Which is then adapted to the Kelono Suwandono and weapons Pecut Samagini.

36. Bull Race of Madura, East Java

Karapan cow is one of the arts / sports / traditional games are always done by the community Madura, East Java. Kerapan or karapan cow is one term in Madura language used to name an cow racing competitions. There are two versions about the origin of the name kerapan. The first version said that the term "kerapan" comes from the word "often" or "kirap" which means "leave and released jointly or in droves". Meanwhile, another version says that the word "kerapan" comes from the Arabic "kirabah" which means "friendship".

37. Cattle sonok of Madura, East Java

Contest sonok cow Madura is a performing arts community in order to appreciate and respect cows. This activity is always held annually in rotation in four city districts of Madura (Bangkalan, Sampang, and Sumenep). Sonok cow contest held in conjunction with Bull Race. In this contest, a pair of Cow sonok judged on specific criteria which include beauty, harmony, and health.

38. Dance gandrung of Banyuwangi, East Java

Infatuated dance comes from the word "infatuated", which means 'crazy' or 'love of all-out' in the Java language. This art is a genre with such tap tilu in West Java, tayub in Central Java and East Java to the west, lengger in the Banyumas and joged tube in Bali, involving a female professional dancers who dance together guests (especially male) with accompaniment music (gamelan). 

39. Dance Kentrung of East Java

Kentrung thriving arts 16th century is one art form that is very thick with two dimensions of aesthetic and istetis which became a key element in the main konstrusi art itself. This instrument consists of drum tambourine, kentrung and jidur. A group composed of 3-7 drummers and one puppeteer readers Java benchmark relating to the play is staged.

40. Makepung of Bali

Makepung is the attraction comes from the buffalo race in Jembrana District, Bali. Said Makepung comes from the word Makepung-siege (Balinese) means romp, inspiration came from the activities stage processing paddy soil that stage to crush the ground into mud by using mats. Lampit drawn by two buffaloes and as a means to decorate the buffalo, then in The buffalo's neck put a necklace gerondongan (gongseng large) so that when the buffalo are running interesting  mats it will sound like the sound of music.

41. Cain splint of Borneo

Splints, bide ', or Kasah bide' is the result of a traditional craft art Bidayuh community in the form of sheets of woven, and made ​​of bark and rattan. In the past splint or kassah bide widely used for drying crops such as grains or crops, and is also used for home furnishings. Good for bedding or similar functions. Since the raw material is made ​​of a small rattan and bark, splint or kassah bide 'has a distinctive form of woven natural as well as strong or durable. Even if it never or frequently submerged in water and exposed to direct solar heat.

42. Songket Sambas, West Kalimantan

Songket Sambas soon is one of the art of textile weaving crafts typical of West Kalimantan. The motifs used at this time is not known who created it and the motives that continue to evolve in accordance with the ability of the artisans. Motifs depicted in these weavings are usually related to nature and the environment. The motif that is widely used among others; bamboo shoots, sow clouds, oblique disconnected roses, jasmine sow sprig and many others.

43. Dayak longhouse (Lamin, Shopping, and Radaakng, Uma Dadoq) from West Kalimantan, East Kalimantan, North Kalimantan, South Kalimantan and Central Kalimantan

Traditional house of Dayak. Lamin is a building that stands on the pillars in the form of logs or beams. Construction poles and is formed under the support or the supporting floor and roof. The basic shape of the building rectangular, the basic form of the roof in the form of a prism with a gable roof construction. The front of lamin can be added with a porch that extends the shape of the building.

44. Karungut of Central Kalimantan and South Kalimantan

Ngaju Dayak traditional poetry. Karungut derived from karunya taken of language and language Sangiang Sangen / Ngaju Ancient. 'Karunya' means song. Traditional poetry or folk poetry known in Central Kalimantan is inherited by their ancestors in the form of songs and poems compiled by its creator, provided they do not deviate from the rules that have been considered standard. At the beginning of its development, the language used in karungut is Sangen language (Ancient Ngaju), but is now very rarely used anymore. Formerly one of the functions karungut is as a medium of instruction. Because of a shaman (a teacher or healer) deliver teaching to pupils with mengarungut. While student download

responsible or carrying out orders from his teacher with mengarungut anyway.

45. Sasirangan of South Kalimantan

Sasirangan cloth is batik cloth found in South Kalimantan. The manufacturing process has been carried out in a modern way. Materials used to make the fabric sasirangan was originally derived from cotton fibers or cotton. In the process, the raw material is grown not only cotton, but also of non-cotton material. But clearly the raw materials derived from raw materials such as cloth. As for the types of fabric used as the raw material essentially consists of only three species only, namely silk, sateen or sating and cotton. Understanding Sasirangan fabric itself in general is a kind of fabric made with puncture technique baste, then tied with raffia string or yarn and then dyed.

46. ​​Ulap Doyo of East Kalimantan

Craft textiles Benuaq society. The main material for weaving is a thread Doyo, which is derived from the leaf fibers ulap Doyo (Curcoligo latifolia lend.) The flared. This species grows in sandy ground, among shrubs and weeds, and growing near the marsh. In this pandan almiah similar plants flourish in the Cape region Isuy. This material formerly used to remember the thread of cotton is still hard to find. That said, this Doyo trees should only be planted by women, as well as taboo or abstinence done by men. With this particular technique leaves spun to form a strong thread to be woven.

47. Belian Bawo of East Kalimantan

Buying sapodilla is a ritual tradition of alternative medicine for the sick. Ceremony sapodilla purchase associated with natural confidence Benuaq rates, based on the confidence of religiosity. Therefore ceremony purchase sapodilla loaded with the spiritual (religious). This belief, which is the driving force of society Quarter Benuaq of which materialized in honor of ancestors, belief in the existence of supernatural forces and spirits. This feeling prompted them to always try to appease ancestral spirits and ghosts that surround their lives, because they believed it to be a source of harm and help.

48. Hudoq of East Kalimantan

Hudoq is a traditional dance of Dayak Modang contained in East Kutai, East Kalimantan. Hudoq a sacred dance that is closely associated with ritual or ceremonial procession. While dancing, the dancers Hudoq using a mask resembling the beasts and made of wood. Their bodies are covered with banana leaves, coconut leaves, or leaf nut. Each of the dancers portray the character figures hudoq (picture of a god who has supernatural powers). Distribution area can generally be found in the province of East Kalimantan.

49. Dance of North Maengket

Traditional dance Minahasa community. This dance is performed by a group of people who sing and dance even hold hands and led by someone (Chapel) which will raise my voice / song first (Tumutuur) and drums as a retinue. These activities are related to the ceremony with the purpose of illuminating, paving the way and unite community supporters. This is done in a situation of the rice harvest activities (Maowey / Makamberu), housewarming  (Marambak) and Amy association

(Lalaya'an). Distribution area can generally be found in the province of North Sulawesi.

50. Mane'e of North Sulawesi

Mane'e an activity of catching fish with coconut (Samih) conducted by Kakorotan community. General distribution area can be found on the district Kep. Talaud (Border Philippines) North Sulawesi province. Mane'e or fishing along the Talaud island communities have been going on since long. According to the public, began around the 16th century. This custom carried on every year usually falls in May or June and has been ongoing since the first until now, so the district government seeks to lift this tradition became one of the attractions. Location "Mane'e" chosen and set by local governments are in the village Kakorotan.

51. Kolintang of North Sulawesi

Kolintang is a musical instrument typical of Minahasa (North Sulawesi), which has a wood base materials, if hit could emit sounds quite long and can reach high notes and low, like a wooden egg, bandaran, arbitrary, kakinik or the like (the type of timber rather light but solid enough and the wood fibers are arranged in such a way to form parallel lines). The word comes from the sound Kolintang: Tong (low tone), Ting (high pitch) and Tang (middle tone). First in Minahasa local languages ​​to encourage people to play Kolintang "let air-Tong, Ting, Tang" with the phrase "Maimo Kumolintang" and of habits that appear Kolintang.

52. Saiyyang Patu'duq of West Sulawesi

Saiyyang Pattu'duq is a tradition of using horses paraded ritual. Saiyyang Pattuqduq (language Mandar, saiyyang means horse, pattuqduq means dancer); saiyyang pattuqduq means a horse that good at dancing, clever play head movement and footwork. Saiyyang pattuqduq used in: a) mounts a child who would complete the Qur'an when paraded around the village, generally held on the anniversary of the Prophet Muhammad mauled, b) mounts a (pick) guest of honor, c) mounts due to nadzar, and d) a entertainment or show. Distribution area can generally be found in the province of West Sulawesi.

53. Dance Raigo of Central Sulawesi

Raigo dance is an art that is hereditary activated through a traditional ceremony intended as a statement of gratitude upon the achievement of business results such as horticulture mainly grow rice. This dance is not just simply matasebuah art forms (entertainment) but this dance tidakdapat apart from some traditional ceremonies implementation Kulawi region or in the valley Bada. Distribution area can generally be found in the province of Central Sulawesi.

54. Kalosara of Southeast Sulawesi

Kalosara reply or an object made of three pieces of rattan untwisted or twisted to form a circle. Is a way to twist counter-clockwise or twisted toward the left. End windings of three pieces of cane are then knotted and tied where the two ends of rattan hidden in the winding while the other end is left sticking out.

Winding or torsion three pieces of cane is a symbol that has a meaning of unity and oneness of the three stratification people Tolaki in antiquity namely: Anakia or nobility, towonua / natives, toono motuo / people who are elder in a village, toono dadio / person mostly, and the third stratification o'ata or slave class.

As a symbol of customary law in the Tolaki are believed to have been passed down from generation to generation, then Kalosara found in various rules of customary law itself that is in the fields: law in the field of governance today, especially in the government involving traditional leaders, law the land sector, the law in the area of ​​marriage, the laws in the field of procedures for establishing and maintaining the household, the laws in the field of inheritance law in the field of debts, the law in the field of conflict and the procedure for its completion, and laws in the field of defamation and harm to others.

55.Kabhanti of Southeast Sulawesi

Kabhanti is one form of oral traditions that exist in society Muna Tribe. Kabhanti have characteristics similar to rhyme / poem long. Kabhanti created by Muna Tribe communities. Tradition say rhymes that exist in society Tribe Muna, Southeast Sulawesi has long existed on the island of Muna. Kabhanti a tradition say rhymes, either spoken alone (monologue) and is reciprocated in a group (group of men and women. The contents of kabhanti usually put forward and deliver it in the form of a moral message to society, the values ​​of religious, hints of life / advice, satire, romance, as well as cultural values ​​and customs. For the muna, kabhanti aims to strengthen the values ​​and norms in society.

56. Lariangi of Southeast Sulawesi

Kep dance community. Buton and Wakatobi in Southeast Sulawesi. Played by five women. Distribution area can generally be found in Southeast Sulawesi province. This dance is a dance offerings from Kaledupa to be played at the Palace of the King in the form of movement and singing with its main function is as illumination.

Based on the meaning of the word Lariangi and consists of two syllables:

• Running the means to decorate or carve, be it in the form of a circular formation that sometimes there is a sitting and partly also painted on the fan or Lenso movement which varies according songs sung

• Angi are those decorated with various ornaments to convey information or a specific purpose in the form of advice (advice), advice or as entertainment that appears on gerkan dance and singing.

57. Kagati of Southeast Sulawesi

Kite game traditional tribal Raha. Distribution area can generally be found in Southeast Sulawesi province. Traditional kites from Muna Island is made of sheet kolope leaf (leaf yam) that has been dried and then cut edges. One by one the leaves are sewn with a stick of bamboo as a framework of kites, while the rope is woven from pineapple fiber forest.

Game kite (kaghati) by the ancestors of the people Muna has done since 4 thousand years ago. It is based on research Wolfgong Bick 1997 in Muna.

58. Phinisi of South Sulawesi

Traditional sailboat society Bugis-Makassar. According to the story in the text Lontara La Galigo, said first Pinisi ship has existed since the 14th century made ​​by the crown prince of the kingdom of Luwu, Sawerigading, to use sail to China. The vessel is made ​​of a material taken from the tree welengreng (tree gods) are solid and not easily fragile. Before cutting down the tree, first performed a special ritual that penunggunya willing to move to other trees. Distribution area can generally be found in the province of South Sulawesi.

59. Pa'gellu of South Sulawesi

Pa'gellu dance is a traditional dance artwork in Toraja (Tana Toraja, North Toraja) that since the first conducted by the girls are 5 people with the accompaniment of drums, for ceremonies Rambu Tuka '(thanksgiving harvest, newly built custom home ), weddings, reception guests noble and other parties, except funerals Toraja people. Dance Pa'gellu 'can only be done by women, girls dance adulthood because art Pa'gellu' goal is entertainment and recreational nature, in addition to entertaining also makes the audience into a happy and special guests were welcomed honored. Almost every time we can see the appearance of the art of dance Pa'gellu 'in Toraja, that where there are people outside Toraja Toraja. It does not complete a party and the other without the dance crowd except funerals no pa'gellu Dance '.

60. Sinliriq of South Sulawesi

Makassar community oral tradition in the form of literary readings accompanied by fiddle. The contents of the literature partially filled with a moral message and an invitation to the public to get to the good. In addition, sometimes the government is also using the media to disseminate Sinriliq government programs. Distribution area can generally be found in the province of South Sulawesi.

61. Pakkarena of South Sulawesi

Pakarena dance performed by female dancers who perform gentleness women Makassar. The dance is more a gesture showing that swung to the left and right and forward and slow but orderly movement of the hand is raised to shoulder height only the highest never rose to the height of the head. His right hand is always holding a fan. Pakarena is a traditional dance from Makassar. In the 20th century, this dance starts out of the tradition of the castle and become a very popular show. This dance is very energetic, sometimes frenetic as the music, but is accompanied by a very slow dance of graceful young women. Two head drum (Gandrang) and a pair of musical instrument such device (Kuik-Kuik) accompany two dancers. Tenderness dominate effect on dance. General distribution area can be found in the province of South Sulawesi.

62. Molapi Sorande of Gorontalo

Saronde Molapi dance is a dance ritual traditional wedding Gorontalo. This dance is performed by a groom on their wedding night. Materials used are three kinds of scarves namely green, yellow, and egg yolks. Implementation of this ritual bertempatkan in place of the bride. Distribution area can generally be found in Gorontalo province.

63. Beleq drum from West Nusa Tenggara

Drum beleq is an equipment of music, and called drum beleq because the drum is large in size compared to the size of the drum in general, drum means drums and beleq means great. Large drum (drum beleq) there are two types of so-called drum mama (male) and drum nina (female). The difference between the two drums are not in physical form, but the resulting sound is drum mama louder than a drum nina .m Beleq drum usually played on the stage or in the open field. The composition of the supporters of drum music and dancers beleq standard consists of 40 people, and displayed on special occasions such as Maulud Prophet, Eid, marriage ceremonies, circumcision and haircut baby. While non-standard consists of 17 people performed to welcome guests, competitions or festivals. Distribution area can generally be found in the province of West Nusa Tenggara.

64. Sasak Wayang Kulit of West Nusa Tenggara

Sasak Wayang Kulit puppet skin is growing in Lombok which basically takes the story Menak sourced story of Amir Hamsah story is uncle of the Prophet Muhammad. Distribution area can generally be found in the province of West Nusa Tenggara.

65. Sasandu dari folly Tenggara Timur

Sasandu is a stringed musical instrument typical of People Rote, East Nusa Tenggara, made ​​from palm leaves and wood. Sasando that should be named Sasandu (sound resulting from vibration) was born from the inspiration of the inventor of the result of interaction with nature. Distribution area can generally be found in the province of East Nusa Tenggara.

66. Caci of East Nusa Tenggara

Caci is the tradition of the game at the Manggarai tribe consists of two players who hit each other using a cane and buffalo skin shield. In the game caci no deterrent and no hitter alternately performed repeatedly. Winners in this game are the people who have managed to injure his opponent in the face. Distribution area can generally be found in the province of East Nusa Tenggara.

67. The house Bale 'from East Nusa Tenggara

Sumba architecture called house Bale. differentiated according to the social status of its owner, reinforcements to house to house nobles and commoners bale. House of Sumbawa shaped stage. Sumbawa roofs high as boat at an angle of about 45 degrees. At the front of the top there Lebang formerly showed the owner's social status. The more lebangnya, the higher the status of nobility. Lebang addition, the size of the house is also signify social status of the owner. Distribution area can generally be found in the province of East Nusa Tenggara.

68. Wipe Dance 'of Maluku

Performing arts dance Babar tribe which uses footwork as tumpuhan basic movement. The dance was used as a sacred dance for the knights of the country / village will fight with a big assumption that dance wipe mampuh secarah magical protect and maintain domestic fighters who took to MenDan war. Distribution area can generally be found in the provinces of Maluku 

69. Tais Pet of Maluku

Traditional woven cloth Tanimbarese society. Distribution area can generally be found in Maluku province. Pet Tais has a very strong social function Tanimbarese among the community as a symbol of identity. The introduction of the self-identity through an emotional bond terabstraksi Tanimbarese community that gives the feel of brotherhood, tolerance, mutual respect and a sense of sepenanggungan. Then this function also continues locally, regionally and nationally, so knit social ties to the introduction of the community or nation Moluccas and Indonesia in general. It also gives shades Tais pet as a symbol of social status, thus providing clues to the structure of one's status in society. Black and brown is the color of greatness or authority in a leader. Red, yellow, and white is a reflection of courage, honesty, sincerity, and purity of heart keiklasan society.

70. Dance Maku-maku of Maluku

Maku-maku dance is a traditional dance of a social nature that is a social dance that aims to strengthen the intimacy between members of the public in this case the children and grandchildren of Maluku. This dance is an outline of a symbol of fellowship children Maluku society. Distribution area can generally be found in Maluku province.

71. Crazy Bamboo from North Maluku

Dance / performing arts performed by more than ten people by holding a long bamboo sticks one meter / as needed. Bamboo holder shown is not strong. Distribution area can generally be found in the province of North Maluku

72. Soya-soya from North Maluku

Traditional Arts Folk Dance North Maluku. Dance-soya soya created during Baabullah Sultan (Sultan of Ternate Ke-24), from the Sultanate of Ternate, to inflame semagat post-death forces Sultan Khairun on 25 February 1570. At that time, the dance-soya soya interpreted as a war of liberation from Portuguese to fall in 1575. The dancers will feature a lively dance that reflects the movement of attack, dodge and parry. Number of soya-soya dancers themselves are not specified. Can just four people and even thousands of dancers.

73. Dance Yosim Pancar of Papua

Dance Yospan is Taian association or friendship of the young people of Papua. The dance performances Yosim Pancar usually done more than one person, and has a basic movements vigorous. Pancar Yosim dance was not a traditional dance, contemporary dance but modified with a variety of folk dances. Distribution area can generally be found in the province of Papua

74. Carving Asmad of Papua

Since the 1700s, Asmat in Papua has been known to the world with the skills carve. Asmat art carve at an actualization of belief in ancestral spirits symbolized in the form of sculptures and carvings. Distribution area can generally be found in the province of Papua.

75. Barappen of Papua and West Papua

Fuel stone is an activity of the cooking is done by community Dani in Papua, using the media stones are heated in the fire to be red and really hot which will then be inserted between the materials to be processed or cooked for consumption together -Same. The main material used is pork, currently being developed in addition to pork (fish, rabbits, chickens, goats, etc.) Regional spreading generally to be found in the provinces of Papua and West Papua.

76. Tifa from Papua, West Papua, East Nusa Tenggara, and Maluku

Papua percussion instruments typical symbol of peace for the people of Papua past. In the event of a war between tribes in Papua. The old custom and then sounding the drums to summon representatives of the two sides to make peace. But now, the drums no longer be used for a peace. But more is used in rituil customs, such as traditional party, marriage, welcomed the distinguished guests and others. Distribution area can generally be found in the provinces of Papua, West Papua, Maluku and East Nusa Tenggara

77. Randang from West Sumatra

Rendang Minangkabau language called randang is one of the traditional food Minangkabau are very well known to seantaro archipelago. Randang has several colors, namely red-brown, brown to blackish brown. Understanding randang taken from the word Marandang, which is a processing side dish made ​​from coconut milk cooked until the water content is reduced, even to dry so that when called randang it means the dishes are dry processed without containing water.